<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">mos</journal-id><journal-title-group><journal-title xml:lang="ru">Современные востоковедческие исследования</journal-title><trans-title-group xml:lang="en"><trans-title>Modern Oriental Studies</trans-title></trans-title-group></journal-title-group><issn pub-type="epub">2782-1935</issn><publisher><publisher-name>Казанский (Приволжский) федеральный университет</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.24412/2686-9675-2-2025-66-77</article-id><article-id custom-type="elpub" pub-id-type="custom">mos-142</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ФИЛОСОФСКИЕ НАУКИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>PHILOSOPHICAL SCIENCES</subject></subj-group></article-categories><title-group><article-title>Из опыта некоторых азиатских стран в охране нематериального культурного наследия до охраны театра Цаи  Лыонг в Хошимине</article-title><trans-title-group xml:lang="en"><trans-title>From the experience of some asian countries in protecting  intangible cultural heritage to the protection of the cai luong  theater in ho chi minh city</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Нгуен</surname><given-names>Хо Фонг</given-names></name><name name-style="western" xml:lang="en"><surname>Nguyen</surname><given-names>Ho Phong</given-names></name></name-alternatives><bio xml:lang="ru"><p>Хошимин</p></bio><bio xml:lang="en"><p>Nguyen Ho Phong, PhD</p><p>No. 51, Quoc Huong, Thao Dien Ward, Thu Duc City, Ho Chi Minh City</p></bio><email xlink:type="simple">hophongdhvh@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Хошиминский университет культурологии</institution><country>Вьетнам</country></aff><aff xml:lang="en"><institution>Ho Chi Minh City University of Culture</institution><country>Viet Nam</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2025</year></pub-date><pub-date pub-type="epub"><day>06</day><month>08</month><year>2026</year></pub-date><volume>7</volume><issue>2</issue><fpage>66</fpage><lpage>77</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Нгуен Х., 2026</copyright-statement><copyright-year>2026</copyright-year><copyright-holder xml:lang="ru">Нгуен Х.</copyright-holder><copyright-holder xml:lang="en">Nguyen H.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://mos.elpub.ru/jour/article/view/142">https://mos.elpub.ru/jour/article/view/142</self-uri><abstract><p>Театр Цаи Луонг является одним из выдающихся нематериальных культурных объектов Вьетнама. В "прошлом" следы Цаи Луонга были все над Вьетнамом. Особенно в Хошимине, там было еще больше, чем 50 cai Luong troupes performing together, attracting millions of spectators. However, in recent years, this type of theater has been declining and has lost its status in the cultural and artistic life of the city's people. This paper adopts an interdisciplinary approach, a diachronic perspective, and a quantitative research method. Through a comprehensive analysis of secondary literature, the author will focus on the following contents: the concept of Cai Luong Theater; historical overview of the formation, development and value of cai Luong theater art in Ho Chi Minh City; analysis of the current status of protection of cai Luong theater art in Ho Chi Minh City in recent years; analyze the experiences and lessons learned from as as нематериальное культурное наследие. The article also draws on the experiences of Japan, South Korea and China to propose a model for the sustainable protection of cai Luong theatrical art in Ho Chi Minh City in the future. This can be said to be a novelty of this paper, which helps to provide a beneficial solution for the protection of the Cai Luong Theater in Ho Chi Minh City in contemporary society. </p></abstract><trans-abstract xml:lang="en"><p>Cai Luong Theater is one of Vietnam's outstanding intangible cultural heritage. In the past, Cai Luong's footprints were all over Vietnam. Especially in Ho Chi Minh City, there were once more than 50 Cai Luong troupes performing together, attracting millions of spectators. However, in recent years, this type of theater has been declining and has lost its status in the cultural and artistic life of the city's people. This paper adopts an interdisciplinary approach, a diachronic perspective, and a quantitative research method. Through a comprehensive analysis of secondary literature, the author will focus on the following contents: The concept of Cai Luong Theater; historical overview of the formation, development and value of Cai Luong theater art in Ho Chi Minh City; analysis of the current status of protection of Cai Luong theater art in Ho Chi Minh City in recent years; analyze the experiences and lessons learned from Asian countries such as Japan, South Korea and China in protecting intangible cultural heritage. The article also draws on the experiences of Japan, South Korea and China to propose a model for the sustainable protection of Cai Luong theatrical art in Ho Chi Minh City in the future. This can be said to be a novelty of this paper, which helps to provide a beneficial solution for the protection of the Cai Luong Theatre in Ho Chi Minh City in contemporary society.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>охрана наследия</kwd><kwd>Цаи Лыонг</kwd><kwd>театр</kwd><kwd>Хошимин</kwd></kwd-group><kwd-group xml:lang="en"><kwd>preservation</kwd><kwd>Ca i lường</kwd><kwd>theatre</kwd><kwd>Ho Chi Minh City</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Nguye n Thi Tru c Ba ch (2017). Ca i lường theater in the South: A view on the movement and promotion of cultural and artistic values in the contemporary context. Managing and Exploiting Cultural Heritage in the Era of Integration, 341–352.</mixed-citation><mixed-citation xml:lang="en">Nguye n Thi Tru c Ba ch (2017). Ca i lường theater in the South: A view on the movement and promotion of cultural and artistic values in the contemporary context. Managing and Exploiting Cultural Heritage in the Era of Integration, 341–352.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Pha m Tha i Bı nh (2019). Development paths of Đờ n Ca Ta i Tư and Ca i lường theater. In Nguye n Đư c Lo c (ed.), Saigon – Preserving Gold and Treasures (pp. 68–71). Cultural – Literary Publishing House, Ho Chi Minh City.</mixed-citation><mixed-citation xml:lang="en">Pha m Tha i Bı nh (2019). Development paths of Đờ n Ca Ta i Tư and Ca i lường theater. In Nguye n Đư c Lo c (ed.), Saigon – Preserving Gold and Treasures (pp. 68–71). Cultural – Literary Publishing House, Ho Chi Minh City.</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Đo Du ng (2003). Cải lương theater in the South 1918 - 2000. Youth Publishing House, Ho Chi Minh City.</mixed-citation><mixed-citation xml:lang="en">Đo Du ng (2003). Cải lương theater in the South 1918 - 2000. Youth Publishing House, Ho Chi Minh City.</mixed-citation></citation-alternatives></ref><ref id="cit4"><label>4</label><citation-alternatives><mixed-citation xml:lang="ru">Tra n Tro ng Đa ng Đa n (1998). The last 23 years of 300 years of Saigon — Ho Chi Minh City’s Cultural and Artistic Heritage. Literary Publishing House, Ho Chi Minh City.</mixed-citation><mixed-citation xml:lang="en">Tra n Tro ng Đa ng Đa n (1998). The last 23 years of 300 years of Saigon — Ho Chi Minh City’s Cultural and Artistic Heritage. Literary Publishing House, Ho Chi Minh City.</mixed-citation></citation-alternatives></ref><ref id="cit5"><label>5</label><citation-alternatives><mixed-citation xml:lang="ru">Tra n Tro ng Đa ng Đa n (2004). Performing arts and cultural lLife — Vietnamese theater until the Early 21st Century: A Study and Observation from Saigon — Ho Chi Minh City. Literary Publishing House, Hanoi.</mixed-citation><mixed-citation xml:lang="en">Tra n Tro ng Đa ng Đa n (2004). Performing arts and cultural lLife — Vietnamese theater until the Early 21st Century: A Study and Observation from Saigon — Ho Chi Minh City. Literary Publishing House, Hanoi.</mixed-citation></citation-alternatives></ref><ref id="cit6"><label>6</label><citation-alternatives><mixed-citation xml:lang="ru">Hoa ng Sờn Giang (2018). Cải Lương art in Ho Chi Minh City in the current context [Master’s Thesis in Cultural Management, University of Culture, Ho Chi Minh City].</mixed-citation><mixed-citation xml:lang="en">Hoa ng Sờn Giang (2018). Cải Lương art in Ho Chi Minh City in the current context [Master’s Thesis in Cultural Management, University of Culture, Ho Chi Minh City].</mixed-citation></citation-alternatives></ref><ref id="cit7"><label>7</label><citation-alternatives><mixed-citation xml:lang="ru">Ho Chi Minh City Theater Association (2018). Proceedings of the Scientific Seminar: Tracing the history of Cải lương theater in Saigon (1955 - 1975). Ho Chi Minh City.</mixed-citation><mixed-citation xml:lang="en">Ho Chi Minh City Theater Association (2018). Proceedings of the Scientific Seminar: Tracing the history of Cải lương theater in Saigon (1955 - 1975). Ho Chi Minh City.</mixed-citation></citation-alternatives></ref><ref id="cit8"><label>8</label><citation-alternatives><mixed-citation xml:lang="ru">Nguye n Tua n Khanh (2018). The Journey of Cải lương. General Publishing House, Ho Chi Minh City.</mixed-citation><mixed-citation xml:lang="en">Nguye n Tua n Khanh (2018). The Journey of Cải lương. General Publishing House, Ho Chi Minh City.</mixed-citation></citation-alternatives></ref><ref id="cit9"><label>9</label><citation-alternatives><mixed-citation xml:lang="ru">Ba y Nam (2009). Drifting Along Life's Current: Memoir, first reprint. Women's Publishing House, Ho Chi Minh City.</mixed-citation><mixed-citation xml:lang="en">Ba y Nam (2009). Drifting Along Life's Current: Memoir, first reprint. Women's Publishing House, Ho Chi Minh City.</mixed-citation></citation-alternatives></ref><ref id="cit10"><label>10</label><citation-alternatives><mixed-citation xml:lang="ru">Nguye n Thi Minh Ngo c &amp; Đo Hường (2007). Cải lương theater in Ho Chi Minh City. General Publishing House, Ho Chi Minh City; Saigon Cultural Publishing House, Ho Chi Minh City.</mixed-citation><mixed-citation xml:lang="en">Nguye n Thi Minh Ngo c &amp; Đo Hường (2007). Cải lương theater in Ho Chi Minh City. General Publishing House, Ho Chi Minh City; Saigon Cultural Publishing House, Ho Chi Minh City.</mixed-citation></citation-alternatives></ref><ref id="cit11"><label>11</label><citation-alternatives><mixed-citation xml:lang="ru">Tra n Minh Ngo c (Ed.) (2022). Cải Lương in Saigon 1955-1975. Writers' Association Publishing House, Hanoi.</mixed-citation><mixed-citation xml:lang="en">Tra n Minh Ngo c (Ed.) (2022). Cải Lương in Saigon 1955-1975. Writers' Association Publishing House, Hanoi.</mixed-citation></citation-alternatives></ref><ref id="cit12"><label>12</label><citation-alternatives><mixed-citation xml:lang="ru">Nguye n Ho Phong (2022). Developing Cải lương theater audiences in Ho Chi Minh City (A case study of Trần Hữu Trang Cải lương theater) [Doctoral Dissertation in Cultural Management, National Institute of Culture and Arts of Vietnam].</mixed-citation><mixed-citation xml:lang="en">Nguye n Ho Phong (2022). Developing Cải lương theater audiences in Ho Chi Minh City (A case study of Trần Hữu Trang Cải lương theater) [Doctoral Dissertation in Cultural Management, National Institute of Culture and Arts of Vietnam].</mixed-citation></citation-alternatives></ref><ref id="cit13"><label>13</label><citation-alternatives><mixed-citation xml:lang="ru">Nguye n Thi Minh Tha i (1997). Ca i lường Theater in Ho Chi Minh City: Seeking an Audience. In Hoa ng Chường, Northern Cải Lương Art (pp. 344–349). Institute of Theater, Hanoi.</mixed-citation><mixed-citation xml:lang="en">Nguye n Thi Minh Tha i (1997). Ca i lường Theater in Ho Chi Minh City: Seeking an Audience. In Hoa ng Chường, Northern Cải Lương Art (pp. 344–349). Institute of Theater, Hanoi.</mixed-citation></citation-alternatives></ref><ref id="cit14"><label>14</label><citation-alternatives><mixed-citation xml:lang="ru">Pha m Trı Tha nh (2009). Cải lương Theater Art: Inheritance and transformation [Doctoral Dissertation in Theater Theory and History, National Institute of Culture and Arts of Vietnam, Hanoi].</mixed-citation><mixed-citation xml:lang="en">Pha m Trı Tha nh (2009). Cải lương Theater Art: Inheritance and transformation [Doctoral Dissertation in Theater Theory and History, National Institute of Culture and Arts of Vietnam, Hanoi].</mixed-citation></citation-alternatives></ref><ref id="cit15"><label>15</label><citation-alternatives><mixed-citation xml:lang="ru">Huy nh Quo c Tha ng (Coordinator) (2010). Investigating and promoting traditional art in Ho Chi Minh City: Cải lương theater [National Target Program Project, Department of Culture, Sports &amp; Tourism, Ho Chi Minh City].</mixed-citation><mixed-citation xml:lang="en">Huy nh Quo c Tha ng (Coordinator) (2010). Investigating and promoting traditional art in Ho Chi Minh City: Cải lương theater [National Target Program Project, Department of Culture, Sports &amp; Tourism, Ho Chi Minh City].</mixed-citation></citation-alternatives></ref><ref id="cit16"><label>16</label><citation-alternatives><mixed-citation xml:lang="ru">Tra n Thi Minh Thu (2012). Northern Cải lương theater in cultural transformation [Doctoral Dissertation in Cultural Studies, National Institute of Culture and Arts of Vietnam, Hanoi].</mixed-citation><mixed-citation xml:lang="en">Tra n Thi Minh Thu (2012). Northern Cải lương theater in cultural transformation [Doctoral Dissertation in Cultural Studies, National Institute of Culture and Arts of Vietnam, Hanoi].</mixed-citation></citation-alternatives></ref><ref id="cit17"><label>17</label><citation-alternatives><mixed-citation xml:lang="ru">Phan Bı nh To ng (1997). Cải lương art: Historical pages. Institute of Theater, Hanoi.</mixed-citation><mixed-citation xml:lang="en">Phan Bı nh To ng (1997). Cải lương art: Historical pages. Institute of Theater, Hanoi.</mixed-citation></citation-alternatives></ref><ref id="cit18"><label>18</label><citation-alternatives><mixed-citation xml:lang="ru">Nguye n Le Tuye n &amp; Nguye n Đư c Hie p (2013). Hát Bội, Đờn Ca Tài Tử, and Cải lương at the End of the 19th Century and the Beginning of the 20th Century. Cultural — Literary Publishing House, Ho Chi Minh City.</mixed-citation><mixed-citation xml:lang="en">Nguye n Le Tuye n &amp; Nguye n Đư c Hie p (2013). Hát Bội, Đờn Ca Tài Tử, and Cải lương at the End of the 19th Century and the Beginning of the 20th Century. Cultural — Literary Publishing House, Ho Chi Minh City.</mixed-citation></citation-alternatives></ref><ref id="cit19"><label>19</label><citation-alternatives><mixed-citation xml:lang="ru">Various Authors (2018). A century of formation and development of Cải lương art in Vietnam (1918 – 2018). Theater Publishing House, Hanoi.</mixed-citation><mixed-citation xml:lang="en">Various Authors (2018). A century of formation and development of Cải lương art in Vietnam (1918 – 2018). Theater Publishing House, Hanoi.</mixed-citation></citation-alternatives></ref><ref id="cit20"><label>20</label><citation-alternatives><mixed-citation xml:lang="ru">La Thoa i Va n (2016). Cải lương theater activities in Ho Chi Minh City — Audience preferences and needs [Master's Thesis in Cultural Management, University of Culture, Ho Chi Minh City].</mixed-citation><mixed-citation xml:lang="en">La Thoa i Va n (2016). Cải lương theater activities in Ho Chi Minh City — Audience preferences and needs [Master's Thesis in Cultural Management, University of Culture, Ho Chi Minh City].</mixed-citation></citation-alternatives></ref><ref id="cit21"><label>21</label><citation-alternatives><mixed-citation xml:lang="ru">Nhua n Vu (1987). Ca i lường Theater in Ho Chi Minh City: 12 years on the road to renewal. In Nguye n Phan Tho (ed.), Theater Arts (pp. 49–53). Institute of Theater Publishing House, Hanoi.</mixed-citation><mixed-citation xml:lang="en">Nhua n Vu (1987). Ca i lường Theater in Ho Chi Minh City: 12 years on the road to renewal. In Nguye n Phan Tho (ed.), Theater Arts (pp. 49–53). Institute of Theater Publishing House, Hanoi.</mixed-citation></citation-alternatives></ref><ref id="cit22"><label>22</label><citation-alternatives><mixed-citation xml:lang="ru">Vo Thi Ye n (2013). The Art of southern Cải lương theater through the impact of management methods [Doctoral Dissertation in Arts, National Institute of Culture and Arts of Vietnam, Hanoi].</mixed-citation><mixed-citation xml:lang="en">Vo Thi Ye n (2013). The Art of southern Cải lương theater through the impact of management methods [Doctoral Dissertation in Arts, National Institute of Culture and Arts of Vietnam, Hanoi].</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
