mosСовременные востоковедческие исследованияModern Oriental Studies2782-1935Казанский (Приволжский) федеральный университет10.24412/2686-9675-3-2023-218-230mos-58Research ArticleФИЛОСОФИЯ И КУЛЬТУРАPHILOSOPHY AND CULTUREХудожественное оформление "Кала" в Чампе (Решения по привлечению посетителей к объектам древнего искусства Вьетнама)The Kala in Champa decoration art (Proposing solutions to attract visitors to Vietnam's ancient arts)ФанКуог АньNgoThi Thuy Anh

Магистр, факультет изобразительного искусства и дизаина,

Хошимин

Ngo Thi Thuy Anh - M.A., Faculty of Fine Arts and Design

Ho Chi Minh City

phanquocanhmusic@gmail.comУниверситет Ван ЛангаВьетнамVan Lang UniversityViet Nam20232010202553218230Copyright © Фан К., 20252025Фан К.Ngo T.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://mos.elpub.ru/jour/article/view/58

Архитектурно-декоративное скульптурное искусство Чампа во Вьетнаме — одно из трех известных искусств Юго-Восточной Азии (Ява, Ангкор и Чампа), находящееся под влиянием индийской культуры, но скульптура Чампа обладает своими уникальными ценностями благодаря сочетанию региональных особенностей с религиями коренных народов. Обычно используемые изображения на архитектурных произведениях, статуях, рельефах, обозначают индийских богов и танцоров, защитников, линга — и они, животных с конечностями на ногах (Кала, Макара, Нандин, Нага, Гару-да...). С помощью решении для привлечения отечественных и иностранных туристов, интересующихся древним искусством Вьетнама, а также продвижения практических предметов в школах, обучающих искусству и дизайну. Исследуя изображение Калы на декоративных скульптурах Чампы, в статье предлагаются решения для привлечения отечественных и иностранных туристов, интересующихся древним вьетнамским искусством, а также для продвижения их в качестве практических предметов в школах искусства и дизайна сегодня.

Champa architectural and decorative sculptural arts of Vietnam is one of the three famous arts in Southeast Asia (Java, Angkor and Champa), under the influence of Indian culture but Champa sculpture has had their own unique values thanks to the combination of regional characteristics with indigenous religions. Commonly used images on architectural works, statues, reliefs, stand for Indian gods and dancers, protectors, linga — yoni, legend animals (Kala, Makara, Nandin, Naga, Garuda…). Through the solutions to attract domestic and foreign tourists interested in Vietnamese ancient art as well as promote in practical subjects at schools training art and design. Researching on the image of Kala on decorative sculptures of Champa, the article proposes solutions to attract domestic and foreign tourists interested in Vietnamese ancient art as well as promote them into practical subjects at art and design schools today.

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The authors declare that there are no conflicts of interest present.